Artists-in-Labs Networking in the Margins by Jill Scott (auth.), Jill Scott (eds.)

By Jill Scott (auth.), Jill Scott (eds.)

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Artscienceresearchlab. contentID=23> Snow, CP 1959, The Two Cultures and the Scientific Revolution, Cambridge University Press, New York. Tilman, D 1982, Resource Competition and Community Structure, Princeton University Press, Princeton. Vandermeer, J 1989, The Ecology of Intercropping, Cambridge University Press, Cambridge. Warner, M 2003, ÔMedusaeÕ, in Arends, B & Thackara, D (eds), Experiment: conversations in art and science, The Wellcome Trust, London. 33 BACTERIA, ROBOTS AND NETWORKS Dominik Landwehr Today, the relationship between curiosity, imagina- an empty gasoline can.

In fact, the scientist may be fascinated by the freshness and Stefan DoepnerÕs automats serve as a metaphor for independence of a working artist who has little prior technology gone astray, even for a technology that knowledge of the scientific field of Artificial intel- has become independent of human beings. Perhaps ligence but knows about the effect of artwork with this interpretation of his humorous installation seems analogue technology on the public. 36 The painting robot designed by Stefan Doepner.

Wirth, N 2008, ÕAls Computer noch erklŠrbar warenÕ, Neue ZŸrcher Zeitung, 31. Oktober, accessed 2 November 2009, . 42 ARTISTS-WHO-CARE! SHARED PERSPECTIVES ON SOCIAL AND ETHICAL RESPONSIBILITY Jill Scott ÔNow only the deeply committed are active. The ÒmeÓ generation architecture, design, theatre, literature etc) that has never stepped up to the plate and us old folks are getting attempt to comment upon current ethical and social tiredÕ (Lippard 2008). issues must also be recognized as art.

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Artists-in-Labs Networking in the Margins by Jill Scott (auth.), Jill Scott (eds.)
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